Rock Gods & Messy Monsters

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“Everything Everywhere All At Once” meets “The Hitchhiker’s Guide to the Galaxy” (in a 1990s record company!)

Aliens have hatched a rockstar. Brain extractions, falling body parts, and blood-vessel explosions are the norm. Alex’s dream job has turned into a nightmare. 

What should she do?

It’s the 1990s. Alex arrives at Acht Records, her improbable blonde hair streaked stress magenta and anger black. Her first duty is to wipe blood off her boss’s walls. It goes downhill from there.

Rock Gods & Messy Monsters is a humorous story about life inside a record company. Yet between the lines of satire and nods to science fiction, the book is a thought-provoking female narrative and social commentary on the corporate world.

Join Alex as she weaves through a comedic cast of characters and down crazed corridors of power, where her boss attempts to thwart her at every turn. 

The 1990s New York City music scene never seemed so alien, yet so familiar.

Carol Anderson from the US Review of Books captures its essence perfectly: “The novel is so perverse it causes one to laugh out loud at the deranged storyline and detailed descriptions. This is truly satire at its best.“

Scroll up, click, and buy Rock Gods & Messy Monsters today!“Satirical, zany, hilarious—a gut-punching commentary about the inner workings of the music industry, its power complexes, and power plays.” –The BookLife Prize

Major editorial and reader reviews are coming in. Visit the Book Review page to read more!

Midwest Book Review

“Modern creative writing classes looking for discussion points in experimental literary styles will find Rock Gods & Messy Monsters promises many lively debates about the elements of social examination and the impact of truly creative writing.” (D. Donovan)

Kirkus Discoveries

“Once readers orient themselves with the idiosyncrasies in Hatz’s darkly whimsical—yet ultimately relatable—novel, they’re in for a fast paced, entertaining comic treat. Character-driven, this loopy satire is a droll examination of the corporate-music world.” 

The BookLife Prize (from Publishers Weekly)

“Satirical, zany, hilarious—a gut-punching commentary about the inner workings of the music industry, its power complexes, and power plays.” 

Visit the Book Review page to read the full reviews and others.

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